lynda benglis studio

“Or break them.” She spoke to Studio International at the opening of her exhibition. A pioneer of free-form sculpture who radically pushed the medium in the late ’60s, she fills her biomorphic abstract works with the textures, sounds and images of the past. Her radical experiments with materials, engendered in style and form, must be reconsidered today as not only provocative but thoroughly transformative. Later, I sold it for $50 because I needed money to leave New Orleans. I found a secondhand plug-in heater and bought some Elmer’s glue and clamps. The gold piece that’s here, Ghost Dance/Pedmarks, done in 1998, is a piece that I began working actually as a form in clay, a kind of torso form, and I thought of the torso itself as a very classical feminine and male form, a figure.The figure often even came off the ground or off the wall. Also on view is Untitled (Totem), 1972, a slender sculpture with a glittered surface that stretches over eight feet. 18-dic-2014 - Lynda Benglis (born October 25, 1941 in Lake Charles, Louisiana) is an American sculptor and visual artist. After earning a BFA from Newcomb College in 1964, Benglis moved to New York, where she lives and works today. The artist casts many of her sculptures at a foundry in Walla Walla, Wash., after creating the forms in her studio. The artist Lynda Benglis photographed at her studio outside Santa Fe, New Mexico. Mixografía® print handcolored by the artist. An urge to make things has always been evident. Across three spaces in uptown and downtown Manhattan, this major exhibition includes significant work from the artist’s first decade in the city that proved crucial to the development of her practice. Benglis later began to finish her knot sculptures in aerosolized metals including zinc, tin, steel, and copper. You don’t have to eat; you can just look at them! Her mother was the daughter of a preacher from Mississippi. Seated in her studio amid a sea of wooden sawhorses, Benglis meandered between decades and movements during our interview. A pioneer of free-form sculpture, she radically pushed the medium in the late 1960s with her metaphorical and biomorphic abstract works. Lozenge-shaped wax paintings are juxtaposed with the colorful latex and polyurethane pours for which Benglis became known at Cheim & Read on East 67th Street. [Coming soon: the T List newsletter, a weekly roundup of what T Magazine editors are noticing and coveting. Carl Andre asked to visit my studio after a night at Max’s Kansas City. The lozenges, of medium size, are … Inquire; Color Exhoes, 2000. Lynda Benglis (b.1941, Lake Charles, Louisiana) lives and works in New York, New York and Santa Fe, New Mexico. This technique playfully fused organic form and industrial processes in direct opposition to the hard-edged objects of minimalism. I have many artist friends here in New Mexico. I go out on the porch to feed the birds and watch them play or fight over the seeds. No, but Ron Gorchov and I assisted each other and had important artistic exchange. Ortuzar Viewing Room, 23 East 67th Street, 3rd Floor, New York, New York 10065, 9 White Street New York NY 10013 Tel +1 212‑257‑0033 info@ortuzarprojects.com. “I think artists create their own rules,” she says. What’s your work schedule? Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. 1941, Lake Charles, Louisiana) is recognised for an oeuvre that has consistently challenged art-historical and technical conventions while treading new and experimental ground. This is the case of Lynda Benglis, an artist who found new methods to create beautiful sculptures and who made a strong statement as a feminist in art history. If you have windows, what do they look out on? Driven by an inventive and interrogative approach to both the physical and aesthetic properties of her… Recent solo presentations include Lynda Benglis: In the Realm of the Senses, Museum of Cycladic Art, Athens, presented by NEON (2019–20); Face Off, Kistefos-Museet, Jevnaker (2018); Lynda Benglis, The Hepworth Wakefield, Yorkshire (2015); and Lynda Benglis, Van Abbe Museum, Eindhoven, Irish Museum of Modern Art, Dublin, Le Consortium, Dijon, RISD Museum, Providence, the New Museum, New York, and the Museum of Contemporary Art, Los Angeles (2009–11). When did you first feel comfortable saying you’re a professional artist? If so, who? Benglis has fitted her adobe workspace with large wooden doors that she imported from a former convent in her home state, Louisiana. Made in a similar process, although preceding the knots, its rigid form was never twisted. 'In the Realm of the Senses', her exhibition at the Museum of Cycladic Art, Athens, Greece, commissioned by … Ver más ideas sobre escultura, artistas, estudios de artistas. Not at my studio, but I have a wonderful African carved wood ram. Landmarks, the public art program of The University of Texas at Austin, exhibited Now (1973) and archived an essay dedicated to Benglis … Her father ran a business selling building materials, an early influence on her work: "I'm a real fan of surfaces. Her highly liquid process often yields beautiful yet shocking results which, as art historian and critic Julia Bryan-Wilson writes, refuse “to be constrained by conventional codes around the ostensibly discrete genres of painting and sculpture.” This joint exhibition marks the first survey of Benglis’s early work in New York since her mid-career retrospective (2009–11), which traveled to the New Museum. Lynda Benglis is an American artist best known for her forms created in wax, latex, metal, and foam, which expertly meld the artistic practices of painting with sculpture. It was a black-and-white painting sold to a collector from Washington state for around $400. After spending time with my miniature dachshund, Cleo, I make coffee. People thought I could be a logician, as it seemed I could argue anything, anytime if I throw out ideas into the space through art. I had a collection of Sol’s drawings, until somebody I had let stay at my apartment for $75 stole them! Lynda Benglis, who has challenged the art establishment for decades, remains in the avant-garde. Currently she lives and works between New York, Santa Fe, Greece, and India. 1973 | 11 min Directed by Lynda Benglis Courtesy of Video Data Bank at the School of the Art Institute of Chicago (vdb.org). I wasn’t comfortable in the beginning. I pounded it with clay and allowed my fingers to … Throughout her career, Benglis has made a concerted effort to push against any definition and to resist categorisation. Cast pigmented polyurethane , 95 x 30 x 27 in (241.3 x 76.2 x 68.5 cm). Benglis (b. in 1941, Lake Charles, Louisiana) was the first artist to make sculptures out of paint, removing the barrier between traditional painting and sculpting. The two-page advertisement, which shows Benglis naked but for a pair of cat-eye sunglasses and clutching a latex dildo toward her crotch, is now considered an important artwork in its own right and a comment on the sexist gender stereotyping of art and images shown in the media. Actually, I was thinking today how important milk is for me — I drink it every day although I know most people don’t. October 8–December 3, 2020. He came to my basement space and saw I had ideas; he told me I am a real artist. 2015 Lynda Benglis, The Hepworth Wakefield, Wakefield, United Kingdom. She is the recipient of a Guggenheim Fellowship and two National Endowment for the Arts grants, among others. The series was the subject of a solo show at The Clocktower in New York (1973–74), where they were lit by a string of flashing colored lights. I don’t consider any of them bad, because a studio is what you build with what is available. LYNDA BENGLIS: My name is Lynda Benglis. Ortuzar Projects and Cheim & Read are pleased to present Lynda Benglis: Early Work 1967-1979.Across three spaces in uptown and downtown Manhattan, this major exhibition includes significant work from the artist’s first decade in the city that proved crucial to the development of her practice. The long sculptural limbs also reference the figure, while their interlacing creates a distinct interior and exterior, and often, a recognizable knob-like form. What’s the weirdest object in your studio? LYNDA BENGLIS: EARLY WORK 1967–1979 October 8–December 3, 2020. Dec 25, 2015 - Explore August Davis's board "Lynda Benglis", followed by 730 people on Pinterest. I am not interested in going backward, so I wait for new ideas to appear. Benglis describes her interest in the Indian landscape and culture and why she enjoys spending time with the Sarabhai family. Sparkle knots – including Eta, 1972 – are superficially treated with glitter and acrylic paint, invoking the flamboyant effect of masquerade. Biography of Lynda Benglis Childhood. Cheim & Read, 23 East 67th Street, 2nd Floor, New York, New York 10065 Her work is the subject of forthcoming exhibitions at the National Gallery of Art, Washington, D.C. (2020–21) and the Nasher Sculpture Center, Dallas (2021). Her unique poured latex floor pieces redefined the predominantly male world of sculpture and abstraction. The Copts used encaustic painting recipes to paint caskets, which inspired me to make my own hot wax paint to achieve plasticity and transparency. With four components seemingly designated for the cardinal directions, North, South, East, West, 1976 explodes ecstatically across the wall in a choreographic phrase liberated from the grid. “Lynda Benglis” is on view from August 21 through October 23, 2019, at Pace Gallery, 229 Hamilton Avenue, Palo Alto, Calif. Lynda Benglis Redefined Sculpture in the ’60s. Benglis and Cleo with a series of the artist’s paper and wire wall sculptures. Lynda Benglis is an artist based in New York, USA, East Hampton, USA, Santa Fe, USA, Walla Walla, USA, Ahmedabad, India, and Kastellorizo, Greece. I used to listen to John Mayall while making the poured sculptures. What’s your favorite artwork (by someone else)? Otherwise, I have no reason to work again. A book of recipes called “Barefoot in Paris.” I like looking at cooking photos for entertainment. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. LYNDA BENGLIS (b.1941, Lake Charles, Louisiana) lives and works in New York and Santa Fe. Monoprint 1. The artist’s coming exhibition at Pace Gallery in Palo Alto, Calif., which will open on August 21, includes work from four decades of her career, ranging from the curving tubular “sparkle paper” sculptures she has produced since 2013 — brightly colored totems created from handmade paper draped around amorphous chicken-wire forms — to “Eat Meat,” a fleshy human-size blob of poured-polyurethane foam that Benglis first fashioned in 1969 and recast in aluminum in 2012. Photo: Timothy Doyon, Courtesy of Ortuzar Projects, LYNDA BENGLIS: EARLY WORK 1967–1979 My garden. Benglis developed knot sculptures in the early 1970s. ... Site Design By M Studio-+ If there is something I don’t like about myself, I’d try to change that — but one thing I could be accused of is that I don’t listen enough [laughs]. Also, Sol LeWitt had introduced me to Dorothy and Herb Vogel, who collected my work early on. When I was a child, I found some strings and sticks to make a mobile, which I had never seen in real life. Lynda Benglis: Water Sources, Storm King Art Center, New Windsor, New York. Even back then, I was interested in making objects that move in space. The Bonn section—curated by Cotton, head of Artistic Programmes and Content at Mudam, Luxembourg—includes work by Lynda Benglis, Judith Bernstein, Alexandra Bircken, Patricia L. Boyd, Jana Euler, Hal Fischer, Eunice Golden, Richard Hawkins, Jenny Holzer, Hudinilson Jr., Allison Katz, Mahmoud Khaled, Hilary Lloyd, Sarah Lucas, Robert Morris, D’Ette Nogle, Puppies … 34 x 13.5 inches. Installation view, Lynda Benglis, Eric N. Mack, Kelley Walker, Paula Cooper Gallery, New York, NY, September 8 – October 10, 2020. What’s the first piece of art you ever made? How do you know when you land on a plane? Lynda Benglis Kutumb, 1982 Bronze wire, plaster, gesso, oil based sizing and gold leaf 15 x 23 x 12 in. Sign up here.]. “Lynda Benglis” is on view from August 21 through October 23, 2019, at Pace Gallery, 229 Hamilton Avenue, Palo Alto, Calif. Advertisement Continue reading the main story Produced between 2013 and 2018, Lynda Benglis’s wall sculptures are made from handmade paper that the artist … Shown alongside collected ephemera from the era is Smile, 1974, a bronze cast of the double-headed dildo that Benglis brandished in her Artforum ad that year, notoriously defying conventions of gender, propriety and genre. Benglis starts each day in New Mexico by watching the sky and feeding the birds around her studio. Now, She’s at Her Most Prolific. Various works are shown in Benglis’s studio on the property including The Manu (2008) which she created by manipulating a beeswax mixture and then making stainless steel casts of the resulting forms. Lynda Benglis (b. What music do you play when you’re making art? Color Echoes, 2000. One floor above, at the Ortuzar viewing room, is a selection of gilded wall sculptures inspired by the caryatids from the porch of the Erechtheion at the Acropolis in Athens. Her work is in the permanent collections of public institutions including the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; the Guggenheim Museum, New York; the Whitney Museum of American Art, New York; the Los Angeles County Museum of Art; the San Francisco Museum of Modern Art; the Walker Art Center, Minneapolis; the Art Institute of Chicago; the National Gallery of Art, Washington, D.C.; and Tate, London. A retrospective of her work is being shown … One of the classes I enjoyed the most at school was logic. Rainbow-colored droplets of hardened wax and latex speckle the studio’s work surfaces. I grew up listening to Greek music with my grandmother, as well as Johnny Cash, which I still think about. My day starts with looking at the New Mexico sky and the trees I plant in my studio’s garden. Ortuzar Projects and Cheim & Read are pleased to present Lynda Benglis: Early Work 1967-1979. I should add that I consider anywhere I create my studio. Now, at 77, Benglis is more prolific than ever: After her show at Pace, she will open the exhibition “In the Realm of Senses” at the Museum of Cycladic Art in November, with 30 works selected by the art historian David Anfam, and next May, the Nasher Sculpture Center in Dallas will hold a major solo exhibition dedicated to her groundbreaking work in sculpture. The artist Lynda Benglis photographed at her studio outside Santa Fe, New Mexico. For over six decades, Benglis has consistently challenged artistic conventions to produce an oeuvre that is unrivalled in its … My mind is always working with ideas but sometimes they pop and quickly disappear. Lynda Benglis moved to New York at the apex of Minimalism in the 1960s. Yet it cannot be said that the work is entirely inchoate or formless. I have to wait until the idea crystallizes again before I go back to working. She was first recognized for her poured latex and foam works, pieces that were perfectly timed retorts to the male dominated fusion of painting and … Her studio, a cluster of small earth-toned adobe structures connected by a network of flagstone paths, which she has occupied since 1997, offers sweeping views of the high desert and the space to create dramatic large-scale works, such as her recent sculpture “Elephant: First Foot Forward” (2018), a ragged five-foot-wide knot of white bronze that resembles a torn tire. By exploring the circuitous relationship between the … Since the 1990s, Benglis has traveled between her main home in East Hampton, N.Y., and Santa Fe, N.M., where she fell in love with the natural landscape. Courtesy the artist and Cheim & Read, New York. This interview has been condensed and edited. Xavier Hufkens is delighted to present American artist Lynda Benglis’ (b. 2014 Lynda Benglis, Cheim & Read, New York. For how much? Jun 14, 2014 - Explore Debbie Michaels's board "Lynda Benglis" on Pinterest. Is there a meal you eat on repeat when you’re working? Recently, she recalled how her childhood trips from her hometown, Lake Charles, La., to the rocky Greek island of Kastellorizo, where her paternal grandparents once lived, informed her fascination with rugged textures, while she attributed her keen understanding of color, seen in works such as the hot-pink crystalline cast-polyurethane wall sculpture “Swinburne Figure I” (2009) and the shimmering multicolor paper-and-wire sculpture “Flag Twister” (2017), to watching birds as a girl with her grandfather in Mississippi. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. See more ideas about art, process art, artist. The eldest of five children, Lynda Benglis was born into a Greek-American family and raised in Lake Charles, Louisiana. Art is about tricks of illusion and space. On a late July morning, as she prepared to travel to Palo Alto, Benglis sat down to answer T’s Artist’s Questionnaire. Sparkle and metallized knot sculptures, including the multi-part installation North, South, East, West, 1976 – last shown in New York at a 1981 Whitney Museum exhibition – are on view at Ortuzar Projects on White Street in Tribeca. Last month, for example, I had a spark of an idea for which I am still in the waiting process. It’s just obvious. I remember the expression on his face when I told him I sold it, which was the same expression he made when I showed him images of my Artforum ad piece with a dildo in 1974. Mixografía® print handcolored by the artist. Lynda Benglis, Tu-Lip, 1967, Purified and pigmented beeswax, damar resin, and gesso on masonite and wood, 30 1/8 x 5 1/4 x 1 3/4 inches. Lynda Benglis is an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. The pioneering artist, who came to attention with her poured-latex floor works, is still pushing the limits of her medium. Monprint 1a. “My whole history is reflected in my work,” she explained, as we discussed her career, starting with her signature poured-latex floor pieces in the 1960s and ’70s, with which she redefined the then predominantly male world of sculpture, and touching on one of her most subversive works: her groundbreaking Artforum ad. And bought some Elmer ’ s drawings, until somebody I had a collection of Sol ’ s drawings until... Timothy Doyon, courtesy of Ortuzar Projects and Cheim & Read, New Mexico glue and clamps about! Not be said that the work is entirely inchoate or formless of Ortuzar Projects Cheim. Polyurethane, 95 x 30 x 27 in ( 241.3 x 76.2 x 68.5 ). 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